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Lubomyr Melnyk: Illirion
31,90 €
Lubomyr Melnyk : Illirion
Lubomyr Melnyk is a Ukrainian pianist and composer. Through his pioneering work in the 1970’s, he developed the technique of “Continuous Music” for piano, and with it a stunning new language for the instrument, based on its actual sound. By way of this new technique, he set several world- records on the piano, notably in Sweden in 1985 where he was recorded playing at over 19.5 notes per second – a speed that has never yet been matched, making him the fastest pianist in the world. Since the mid-1970’s, he has performed concerts with his music world-wide as well as radio recordings. Most of his works are for piano solo and duo, although there exist several works for orchestra and various ensembles. While his revolutionary piano playing was mostly ignored by the classical institutions in its early years, his music is gaining an ever-wider international awareness. This album features five recent works, that display the beauty and magic and virtuosity of his playing.
2×LP (vinilo)
Georges Garvarentz: Panic Button
20,90 €
Georges Garvarentz : Panic Button
reissue of 1964 soundtrack album: The mastermind behind this album can be seen as a luminary in the field of movie soundtracks especially for the 60s and 70s while his career lasted until the early 90s up to his untimely death. "Panic Button" is the third album of its kind from his hands composed for an Italian low budget comedy film released in 1964 and originals in good condition may fetch up to 200,00 Euros today. The most interesting fact about the movie is the participation of cult actress Jayne Mansfield who also was part of the inner circle of Mr. Anton Lavey in the 60s. The music on the other side is a colorful trip through different styles from Italian traditional music to lush orchestral baroque music with most of the tunes being laid down by a well – rehearsed big band. The background of this album is obviously big band swing. From here Garvarentz explores the more light footed corners of this genre and the result is a breathtaking joy. The melodies bring images of crowded market places and nifty street restaurants in Italian cities to your mind. The performances have the right amount of steam and passion to drag you from your seat, dance and sing along these sunny harmonies. And the pieces themselves are perfectly placed with high energetic moments and gentle parts following each other to sustain the attention of the listener and underline the different scenes of the movie in an ideal way. If you love the old movie scores from the early 60s with this abundant big band orchestration and a hip shaking groove to the tunes with the exception of a few parts that set you into a hushed mood you will really enjoy this beautiful piece of music. It is all about fun and felicity and a deeper feeling to accompanies the compositions. A masterpiece!
LP (vinilo)
I Fenomeni: Un Vuoto Appeso
20,90 €
I Fenomeni : Un Vuoto Appeso
2nd pressing of Italian Psych album, limited edition of 500 copies, originally released 2013: Here we go and check some rather fresh band : I FENOMENI, formed in 2010 in Italy with the intention to create the dirtiest and most fuzzed out garage beat ever. Dirty guitar sounds and cheesy Farfisa organ lines on a solid and straightly pushing rhythmical substraction with some melodic vocals sung in Italian language are the ingredients of a joy – and colorful record that feels like a lost gem from not later than 1967. Nobody could tell this was first released in 2013 and reissued right now. Sound, interplay, melodies and spirit speak of smoky clubs with swirls of colors ornamenting the walls and acid drenched drinks being served by topless waitresses in short skirts. You find yourself back in the mid sixties when it all began and the music here brings to mind tons of popular acts from that era. Starting with the early BYRDS, moving along to the US underground heroes such as THE SEEDS, THE STRAWBERRY ALARM CLOCK, THE THIRD BARDO or the later ANIMALS and psyched out JEFFERSON AIRPLANE stuff. If you look for innovations, please stop reading and grab some modern progressive rock for your own joy but if you want to be swallowed into a tunnel of sounds and colors where you can trip easy and free, this is yours. Despite the rather short length of these acid garage beat tunes you will leave what people call reality for a while. Everything here just grabs my soul and melts it away. Memorable melodies, moody riffs and those simmering fuzzed out lead guitars get me lose my senses. This is definitely addictive stuff. If you are a fan of current acid rock like BABY WOODROSE you will not only dig but definitely worship I FENOMENI. The language is rather not important in this context as the voice alone is commanding and you understand the message without understanding the language. Beautiful and haunting. A must have for all psyche and garage freaks.
LP (vinilo)
Jefferson Airplane: It Crawled Out Of The Vaults Of KSAN 1966-1968 - Volume 2: Live At The Fillmore Auditorium 1966 & 67
20,90 €
Jefferson Airplane : It Crawled Out Of The Vaults Of KSAN 1966-1968 - Volume 2: Live At The Fillmore Auditorium 1966 & 67
Here we go with some awesome underground live material from one of the most important psychedelic rock pioneers in history of mankind. JEFFERSON AIRPLANE, ladies and gentlemen, in a very early incarnation when Skip Spence and Signe Anderson had just made way for the goddess of psyche Grace Slick on vocals and Spencer Dryden on drums to form what should become the classic line up leading this band to their huge success. Four of nine songs also appear from their cult album ?Surrealistic pillow? released in 1967, two more have appeared as part of ?Jefferson Airplane takes off? in 1966. There are later live versions of ?Fat angel? and ?Other side of life? on the 1969 live album ?Bless it's pointed little head? but these are the earlier, more rough edged and insane psyche out recordings of both beautiful pieces. Well, you get JEFFERSON AIRPLANE on this record, bare naked and honest to the bone. Just as they had been when they plugged in and played. The sound is amazing, raw and wild but clean and powerful enough to give every instrument and voice enough room to unfold. Technically not overwhelming but with a feeling of passion and dedication that only a true live recording can capture. And from every note that is played here you can feel the breath of the era where the cold war nearly turned into a very hot one and the world stood on the edge of a nuclear war while down in Vietnam ... well you all know the story. It was a time when the people freed themselves from the frowst of the past and lived a self destined life. This recording is an eye witness on historical developments. But however you behold it, it's awesome music by awesome people. This is indeed a little masterpiece and will please any fans of late 60s psychedelic sounds, die hard JEFFERSON AIRPLANE freaks and whoever cares for the best ever period in music. A must have!
LP (vinilo)
Kyu Sakamoto: Sukiyaki And Other Japanese Hits
20,90 €
Kyu Sakamoto : Sukiyaki And Other Japanese Hits
1960's orchestrated pop tracks with Japanese vocals: If you are curious how Japanese pop music sounded in the early 60s, here is one of the most popular examples. So this reissue will hopefully open new channels for fans of abundantly orchestrated 60s pop to listen to Kyu Sakamoto, who sadly perished in an aircraft accident in 1985, which is up to now the biggest event of its kind in flight history. Anyway, what do we get to hear from this man, very young but already experienced at the time? Mysterious, soulful songs with big orchestral arrangements, tunes that show elements of latin music such as bossa nova, typical elegant Doo Wop and pop ballads of the day with a heartwarming melodies, some exotic tunes that draw influence from what western people might consider Japanese music, real or fictional. The most popular tune that became a hit all over the world is certainly ?Sukiyaki?, which was a big success in a German language version by THE BLUE DIAMONDS, a Dutch band of Indonesian origin. He did not spare any style popular in the 50s up to the early 60s. You'll hear elements of chanson among many others. The whole album is relaxed and beautiful with a friendly expression. The orchestra, the big band, whoever accompanies Kyu Sakamoto dresses all the compositions sung with passion and a pliable voice into a garment of absolute elegance. This album definitely gets you to feel great and joyful and fluffy. The use of Japanese language for the lyrics might more appeal to native speakers and those with a fondness for exotic aspects coming with albums but it just makes this record even more outstanding. It's a colorful and memorable effort.
LP (vinilo)
Mort Garson: Electronic Hair Pieces
20,90 €
Mort Garson : Electronic Hair Pieces
reissue of 1969 Space-Age Electronic album: He was the master of the moog and a pioneer in electronic music from the late 60s and 70s where he participated in some unforgotten projects such as LUCIFER, THE ZODIAC, ATARAXIA and PLANTASIA. The following review centers on his album “Electronic Hair pieces” from 1969 on which he tickles your senses with instrumental adaptions of the songs from the musical “Hair”. He performs all the tunes on a contemporary moog synthesizer system even with electronic percussion. Since you might recognize the one or another melody even if you have never experienced the original musical but all in all these adaptions may feel slightly bizarre to you. There are these simple but beautiful pop melodies upfront, a ticking rhythm and then it gets weird with a few layers of chirring moog lines and some hissing and threateningly droning sounds far in the back. But all these little components are there. Most wicked tune on side A is the melancholic “Three – Five – Zero – Zero”, a mixture of proto industrialistic metallic noises, reverberant electronic percussions and rather gentle melodic parts where the moog carols away. It leaves you in a disturbed mood. And even though the well known musical songs are mostly lightweight in nature, the creaking and pulsating main melodies, pinging accompaniments and static rhythms take you far away to the belly of an intelligent machine. You may find yourself onboard of a giant spaceship or drifting through a colorful synthetic dream world. Somehow the music still bears a warmth that became unusual later when synthesizer music developed further by the late 70s and early 80s. Mort Garson knows to perform his adaptions with passion and a depth that is an exciting joy to explore. It works with his own compositions you can find on “Black mass” by LUCIFER for example and it works here with a bunch of pop melodies rearranged for a battery of synthesizers. Still this is definitely a bizarre trip and may feel scary to “Hair” aficionados but venturous lovers of the more experimental late 1960s music territories will dig it due to the great backing compositions and the outstanding performance.
LP (vinilo)