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The Elcados: What Ever You Need
22,90 €
The Elcados : What Ever You Need
reissue of 1979 Nigerian Funk/Afrobeat album: By the 1979 release of Whatever You Need, the Elcados were ready to party. “We got rhythm, we got sound,” they declare on ‘Funky Music’. “You’re going to dig it!' Starting out as the Moonrakers in Kanu in 1968, Steve Black, Rocky Mustapha, Tony Nosika and Frank Martins, spent the next decade gigging their way out of the north, including a surreal set with Khalifa Baba-Ahmed at the Miss New Nigeria contest. They released two rock-oriented albums in the mid ‘70s before hitting a disco/reggae groove on Whatever You Need. The album starts with the title track, a bouncy reggae number guaranteed to fill the dance floor. ‘Cross Over Reggae’ keeps the mood light before ‘The World Is Full Of Injustice’ delivers a bit of Rasta indignation. Funk monsters ‘Marry The Poor’ and ‘Funky Music’ bring it all home, reminding listeners that the guys didn’t drag out their best shiny suits just to smoke spliffs. Sadly, Whatever You Need, was the last record the Elcados released. But they went out with the glitter ball burning brightly, dimmed but a little by the fug of the righteous herb.
LP (vinilo)
Geraldo Pino: Boogie Fever
22,90 €
Geraldo Pino : Boogie Fever
reissue of 1978 Nigerian Funk/Reggae/Afrobeat album: When Geraldo Pino rolled into town from Sierra Leone with his Heartbeats, Nigeria had never seen anything quite like them. Slick, tight and playing the latest James Brown-style funk on the very expensive equipment, they soon had the country in their thrall. ‘Made me fall right on my ass!’ a chastened Fela Kuti remembered in 1982. Fans of Geraldo’s disarmingly eloquent enunciation on early albums – re-issued soon by PMG – may shocked the gruff, rawer tones on Boogie Fever. The album starts with a jaunty reggae track extolling the virtues of ganja and, later, ‘Dance Fever’ sounds like it was recorded down in Trenchtown after Geraldo had taken a toke or two of his own advice. Even the more traditional funk tracks like ‘African Hustle’ have a darker, more threatening vibe. Not that that is a bad thing. Boogie Fever is the sound of consummate musician letting his hair down. Or in Geraldo’s case, letting it grow into a tight afro and not bothering to watch his Ps and Qs anymore. - Peter Moore, www.africanrevolutions.com / "Geraldo Pino came to Nigeria from Freetown in Sierra Leone in 1968 with his band THE HEARTBEATS and quickly changed the music scene completely. He was the first bandleader that brought sophistication into show business. He owned the best musical equipments, his costumes on stage was fantastic, his musicians were good looking guys with afro hair styles. His drummer then was Francis Foster who later played percussion with Paul Simon. Pino got the title of THE HARDEST WORKING MAN IN SHOW BUSINESS in Nigeria. Girls loved him. I later joined his band with new set of musicians in 1974 as a singer while he based in Kano in the north of Nigeria. To survive in Nigeria those days as a musician you have to be very good on stage and Pino was. His stagecraft was exhilarating, his costumes were dazzling, he command the band and his audience wherever he played with his dancesteps and he became an inspiration to many Musicians. He later moved to Port Harcourt where he lived and died many years ago. Though he is dead, his music lives on through his many songs and this vinyl in your hands. His memory also lived with those who watched him on stage. Ladies and gentle men, this is GERALDO PINO!" - Steve Black
LP (vinilo)
Harry Mosco: Country Boy (Mr. Funkees)
22,90 €
Harry Mosco : Country Boy (Mr. Funkees)
reissue of 1978 Nigerian Funk/Afrobeat/Reggae album: Don't let the floppy hat and rolling English countryside on the cover fool you. Harry Mosco's Country Boy is a certified floor-filler, bursting with Studio 54 era disco-funk as well as a token reggae monster, complete with its own dub version. Harry Mosco always had swagger. A founding member of The Funkees, he'd stride out on stage in tight pants and dark sunglasses, commanding the attention of a population distracted by war. When The Funkees split in London, it was clear that his star would rise the fastest. Released in 1978 by fledgling Taretone label, Country Boy went on to become one of the best-selling Nigerian records of all time. The first few bars of ‘It's Too Late' are guaranteed to get on the dance floor. Sam El'Salahi's slinky bassline on ‘I Feel Funky' will keep you there. And ‘Harry's Party' is a celebration you never want to end. The title track, and its dub doppleganger, are a reggae-tinged chance to catch your breath, before ‘The Wanderer' drags you back on the dancefloor until the house lights come on.
LP (vinilo)
Manford Best: Come Go With Me
22,90 €
Manford Best : Come Go With Me
reissue of 1978 Nigerian Afrobeat/Disco/Reggae album: With the Super Wings in mutiny and a trial for the manslaughter of his former bandmate, Spuds Nathan, still hanging over his head, Manford Best came out swinging with Come Go With Me. It’s a chirpy, calypso-influenced insight into the state of his mind and his first solo album. Recorded at Godiac Studios with the guys from Rock Town Express and a few of the Super Wings, Come Go With Me was the first album recorded on a new Tascam system that Goddy Oku had just bought back from London. The sound is crisp, clean and bright, perfectly suited to tracks like ‘Come Go With Me’ and ‘Good Morning’ and a welcome respite to the darker lyrics on ‘Nobody Cares’ and ‘Far Far Far Away.’ One of the stranger cuts is ‘There’s a Woman On My Mind (Mother)’. Manford regarded his mother as something of prophetess and would act instantly and without hesitation on the revelations in her ‘dreams’. Come Go With Me was self-financed and released on Manford Best’s own MacSeries Records label. Only 1,000 copies were pressed and he distributed them from the back of a Toyota van himself. A rare Afro gem, deserving of its place in the sun again.
LP (vinilo)
Masisi Mass Funk: I Want You Girl
22,90 €
Masisi Mass Funk : I Want You Girl
reissue of 1979 Nigerian Afrobeat/Funk album: In mid-seventies, Nigerian bands came and went with alarming regularity, rising meteorically from the slums to stardom and falling back again just as quickly. Masisi Mass Funk from Anamara State was one such band. But during their brief moment in the stratosphere, they produced a funk gem in I Want You Girl. The band was championed by Ebere Ikoro from the Hygrades. He took them under his wing after an ill-advised collaboration with Soly Dibong. They were originators not imitators, he said. He produced I Want You Girl and played on it as well. It’s easy to see what appealed to Ebere Ikoro. The title track has a Manfred Mann sixties vibe. ‘Care To Love Me’ is a wonky, off-kilter reggae calypso number. And ‘Ungrateful People’ bounces along with a Sly And The Family Stone chirpiness. However, it’s the gospel numbers that really stand out. ‘Heavenly Father’ rocks out with strident keyboards and plaintive vocals. And the relentless ‘He Is To Be Praised’ is an afro-funk-rock-gospel monster, guaranteed to raise your eyes to heaven while keeping your feet firmly planted on the dance floor. Sadly, Masisi Mass Funk only released one album, their star burning as quickly as it did brightly. They went on to form First Planet, an Afro Boogie band that tore up Lagos dancefloors in the ‘80s. But that’s another story for another day. - Peter Moore
LP (vinilo)
Akwassa: In The Groove
21,90 €
Akwassa : In The Groove
reissue of 1977 Nigerian Funk/Afrobeat album: Nigeria has been one of these African countries with a rich western oriented music scene spawning some highly praised garage rock acts like OFEGE and some hot blooded steaming funk acts. One of these groups taking a turn on music that was happening a few thousand miles west in the USA about five or six years prior was AKWASSA and here we gotta listen to their second album “In the groove” and the title actually says it all. They play some funky music that would make James Brown (God rest his soul) or Betty Davis (Miles Davis' beautiful and highly gifted wife) go crazy for and they do it with a routine you would rather expect with American superstars. AKWASSA impress with a tight as a teenie's ass rhythm section grooving some hypnotizing beats that consist of wild percussions and an airy drumming tied together by some captivating bass lines. Upon this rhythmical basement you find a grinding organ scrubbing your senses and a clean wah wah driven guitar that erupts into fuzzed out solos from time to time. The mid ranged voice comes with a rich tone and nobody would question me if I'd tell him this was a US act. Well, okay, there is a little accent but at least his English is grammatically perfect. In the end it does not matter much for the voice is one instrument that adds a patch of color to the whole picture. How great to know this Afro Funk classic from the 70s can now be enjoyed by a young audience with an open mind. Old school funksters, take your chance, this is sheer bliss.
LP (vinilo)