Daniel Salinas: Atlantis, LP (Vinyl)
Daniel Salinas: Atlantis, LP (Vinyl)
€39.90
Net price (not subject to VAT §25a UStG) excl. shipping costs
Daniel Salinas
Atlantis
  • LP (Vinyl)
  • United Kingdom
Neuauflage, Klappcover
  • Whatmusic.com
  • (WMLP-0063)
  • 7 Tracks
  • EAN 0804018006319
  • EX / EX
  • used
  • minor surface marks on vinyl, minor general wear on sleeve

tracks

A1

Like A Rainy Night

Written by
5:18
A2

No Broken Heart

Written by
2:26
A3

Baião

Written by
4:01
A4

Straussmania

Written by
4:57
B1

Bridge Over Troubled Waters

Written by
7:33
B2

A Song For A Helping Hand

Written by
4:05
B3

Atlantis

Written by
3:50

Credits

Arranged by
  • Daniel Salinas
Bass
  • Willy Verdaguer
Cello
  • Frederico Capella
  • Maria Brucoli
  • Paula Tacceti
Drums
  • Chico Medori
  • Norival Ricardo D'Angelo
Flute
  • Demétrio
  • Edson
Guitar
  • Aristeu
Horn
  • Daniel Havens
  • Silvio Oliani
Oboe
  • Benito
Percussion
  • Elias
  • Marcelo
  • Rogério Goncalves
  • Rubão
Piano
  • Sérgio Sá
Organ
  • Sérgio Sá
Producer
  • Mickael
Trombone
  • Arlindo Bonadio
  • Iran Fortuna
  • Renato Cauchioli
  • Severino Gomes
Trumpet
  • Dorival Aurieni
  • Geraldo Aurieni
  • Haroldo Paladino
  • Sebastião José
Viola
  • Michel Verebes
  • Renata Brauwieser
  • Yoshitame Fukuda
Violin
  • Alexandre Ramiret
  • Altamir Téa Bueno Salinas
  • Ayrton
  • Clemente Capella
  • Dorisa Soares
  • Eliane de Mesquita
  • Elias Slon
  • Emma Klein
  • Jorge Gisbert Izquerdo
  • Waldemar Z. Pelegrino

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2×LP (Vinyl)
1968. France, Incorporated. The entire building was being consumed by flames and was slowly collapsing. Nothing would survive. Out of the rubble of the old world jumped the children of Marx and Coca-Cola, ripping the white and blue stripes off the French flag. Yet, the socialist revolution was more mythic than real and music did nothing to mitigate people's behavior. It was time for innovation. While singles from the Stones, Who, Kinks and MC5 provided an incendiary soundtrack for the revolution, it was Black Americans who truly blew the world from its foundations in the 60s. Ornette Coleman, Cecil Taylor, Eric Dolphy, Albert Ayler and Archie Shepp left behind the jazz of their fathers' generation, liberating the notes, trashing the structures, diving headfirst into furious improvisations, inventing a new land without boundaries – neither spiritual nor political. Free jazz endowed the saxophone with the power to destroy the established order. In 1969, the Art Ensemble of Chicago arrived at the Théâtre du Vieux Colombier in Paris and a new fuse was lit. Their multi-instrumentalism made use of a varied multiplicity of "little instruments" (including bicycle bells, wind chimes, steel drums, vibraphone and djembe: they left no stone unturned), which they employed according to their inspirations.