Sebastian Sternal Trio: Paris, LP (Vinyl)
Sebastian Sternal Trio: Paris, LP (Vinyl)
€24.90
Net price (not subject to VAT §25a UStG) excl. shipping costs
Sebastian Sternal Trio
Paris
  • LP (Vinyl)
  • Germany
Klappcover
  • Stockfisch Records
  • (SFR 357.8068.1)
  • 7 Tracks
  • EAN 4013357806818
  • EX / EX-
  • used
  • some minor surface marks on vinyl, minor shelf wear and seam split on cover

tracks

01

Place Dauphin

Vocals
  • Anne-Marie Jean
7:36
02

Prélude

3:50
03

Les mains d'Elsa

Vocals
  • Anne-Marie Jean
4:35
04

Paname

7:35
05

Caravelle

7:32
06

Custine

Vocals
  • Anne-Marie Jean
9:51
07

Les adieux

5:17

Credits

Bass
  • Sebastian Klose
Drums
  • Axel Pape
Percussion
  • Axel Pape
Mastered by
  • Hendrik Pauler
Mixed by
  • Christian Struck
Piano
  • Sebastian Sternal
Producer
  • Günter Pauler

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2×LP (Vinyl)
1968. France, Incorporated. The entire building was being consumed by flames and was slowly collapsing. Nothing would survive. Out of the rubble of the old world jumped the children of Marx and Coca-Cola, ripping the white and blue stripes off the French flag. Yet, the socialist revolution was more mythic than real and music did nothing to mitigate people's behavior. It was time for innovation. While singles from the Stones, Who, Kinks and MC5 provided an incendiary soundtrack for the revolution, it was Black Americans who truly blew the world from its foundations in the 60s. Ornette Coleman, Cecil Taylor, Eric Dolphy, Albert Ayler and Archie Shepp left behind the jazz of their fathers' generation, liberating the notes, trashing the structures, diving headfirst into furious improvisations, inventing a new land without boundaries – neither spiritual nor political. Free jazz endowed the saxophone with the power to destroy the established order. In 1969, the Art Ensemble of Chicago arrived at the Théâtre du Vieux Colombier in Paris and a new fuse was lit. Their multi-instrumentalism made use of a varied multiplicity of "little instruments" (including bicycle bells, wind chimes, steel drums, vibraphone and djembe: they left no stone unturned), which they employed according to their inspirations.