The Red Garland Trio: Moodsville Volume 1, Tape
The Red Garland Trio: Moodsville Volume 1, Tape
€17.90
Net price (incl. 19% VAT)

The Red Garland Trio
Eddie "Lockjaw" Davis
Moodsville Volume 1

  • Compact Cassette
  • United States
  • Original Jazz Classics
  • (OJC-5360 (MV-1))
  • Moodsville
  • (MV-1)
  • 8 Tracks
  • M / M
  • virgin
  • sealed

tracks

A1

We'll Be Together Again

A2

Stella By Starlight

A3

I Heard You Cried Last Night

A4

Softly Baby

B1

When Your Lover Has Gone

B2

Wonder Why

B3

Blue Room

B4

The Red Blues

Credits

Bass
  • Sam Jones
Drums
  • Art Taylor
Engineer
  • Rudy Van Gelder
Liner Notes
  • Ron Eyre
Piano
  • Red Garland
Remastered By
  • Phil De Lancie
Supervised By
  • Esmond Edwards
Tenor Saxophone
  • Eddie "Lockjaw" Davis

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2×LP (Vinyl)
1968. France, Incorporated. The entire building was being consumed by flames and was slowly collapsing. Nothing would survive. Out of the rubble of the old world jumped the children of Marx and Coca-Cola, ripping the white and blue stripes off the French flag. Yet, the socialist revolution was more mythic than real and music did nothing to mitigate people's behavior. It was time for innovation. While singles from the Stones, Who, Kinks and MC5 provided an incendiary soundtrack for the revolution, it was Black Americans who truly blew the world from its foundations in the 60s. Ornette Coleman, Cecil Taylor, Eric Dolphy, Albert Ayler and Archie Shepp left behind the jazz of their fathers' generation, liberating the notes, trashing the structures, diving headfirst into furious improvisations, inventing a new land without boundaries – neither spiritual nor political. Free jazz endowed the saxophone with the power to destroy the established order. In 1969, the Art Ensemble of Chicago arrived at the Théâtre du Vieux Colombier in Paris and a new fuse was lit. Their multi-instrumentalism made use of a varied multiplicity of "little instruments" (including bicycle bells, wind chimes, steel drums, vibraphone and djembe: they left no stone unturned), which they employed according to their inspirations.