Azymuth: Tightrope Walker, Tape
Azymuth: Tightrope Walker, Tape
€11.90
Net price (incl. 19% VAT)

Azymuth
Tightrope Walker

  • Compact Cassette
  • United States
  • Milestone (4)
  • (5M-9143)
  • 8 Tracks
  • UPC 025218914345
  • M / M
  • virgin
  • sealed

tracks

SIDE 1 TIME: 20:29

1

Tu Mi Delirio

Composed By
  • Cesar Portillo De La Luz
2

Broken Key

Written By
3

If You'd Like to Know (Se Queres Saber)

Composed By
  • Peter Pan
4

Folklore

Written By

SIDE 2 TIME: 19:07

5

Pygmalion

Composed By
  • Marcos Valle
6

Tightrope Walker

Written By
7

The Other Side of the Coin (O Outro Lado da Moeda)

Written By
8

Samba da Barra

Written By

Credits

Art Direction
  • Phil Carroll
Co Producer
  • Alex Malheiros
  • Ivan Conti
Coordinator
  • Señor Esdras
Engineer
  • Danny Kopelson
  • Toninho Barbosa
Photography
  • Phil Bray
Producer
  • José Roberto Bertrami
Remix
  • Danny Kopelson

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2×LP (Vinyl)
1968. France, Incorporated. The entire building was being consumed by flames and was slowly collapsing. Nothing would survive. Out of the rubble of the old world jumped the children of Marx and Coca-Cola, ripping the white and blue stripes off the French flag. Yet, the socialist revolution was more mythic than real and music did nothing to mitigate people's behavior. It was time for innovation. While singles from the Stones, Who, Kinks and MC5 provided an incendiary soundtrack for the revolution, it was Black Americans who truly blew the world from its foundations in the 60s. Ornette Coleman, Cecil Taylor, Eric Dolphy, Albert Ayler and Archie Shepp left behind the jazz of their fathers' generation, liberating the notes, trashing the structures, diving headfirst into furious improvisations, inventing a new land without boundaries – neither spiritual nor political. Free jazz endowed the saxophone with the power to destroy the established order. In 1969, the Art Ensemble of Chicago arrived at the Théâtre du Vieux Colombier in Paris and a new fuse was lit. Their multi-instrumentalism made use of a varied multiplicity of "little instruments" (including bicycle bells, wind chimes, steel drums, vibraphone and djembe: they left no stone unturned), which they employed according to their inspirations.