Hank Crawford: Steppin' Up, Tape
Hank Crawford: Steppin' Up, Tape
€8.90
Net price (incl. 19% VAT)

Hank Crawford
Jimmy McGriff
Steppin' Up

  • Compact Cassette
  • United States
  • Milestone (4)
  • (M-9153)
  • 7 Tracks
  • UPC 025218915342
  • M / M
  • virgin
  • sealed

tracks

A1

River's Invitation

Written By
8:33
A2

The Real Deal

Written By
9:03
A3

Tippin' In

Written By
5:18
B1

Vicki

Written By
6:06
B2

Be Anything, But Be Mine

Written By
6:31
B3

Steppin' Up

Written By
3:17
B4

Lift Every Voice

Written By
6:00

Credits

Alto Saxophone
  • Hank Crawford
Art Direction
  • Phil Carroll
Cover
  • Gilles Margerin
Drums
  • Vance James
Engineer
  • Rudy Van Gelder
Guitar
  • Jimmy Ponder
Liner Notes
  • Bubba Jackson
Mastered By
  • George Horn
Organ
  • Jimmy McGriff
Photography By
  • Frank Lindner
  • Phil Bray
Piano
  • Billy Preston
Producer
  • Bob Porter

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2×LP (Vinyl)
1968. France, Incorporated. The entire building was being consumed by flames and was slowly collapsing. Nothing would survive. Out of the rubble of the old world jumped the children of Marx and Coca-Cola, ripping the white and blue stripes off the French flag. Yet, the socialist revolution was more mythic than real and music did nothing to mitigate people's behavior. It was time for innovation. While singles from the Stones, Who, Kinks and MC5 provided an incendiary soundtrack for the revolution, it was Black Americans who truly blew the world from its foundations in the 60s. Ornette Coleman, Cecil Taylor, Eric Dolphy, Albert Ayler and Archie Shepp left behind the jazz of their fathers' generation, liberating the notes, trashing the structures, diving headfirst into furious improvisations, inventing a new land without boundaries – neither spiritual nor political. Free jazz endowed the saxophone with the power to destroy the established order. In 1969, the Art Ensemble of Chicago arrived at the Théâtre du Vieux Colombier in Paris and a new fuse was lit. Their multi-instrumentalism made use of a varied multiplicity of "little instruments" (including bicycle bells, wind chimes, steel drums, vibraphone and djembe: they left no stone unturned), which they employed according to their inspirations.