Bobby Hutcherson: Solo / Quartet, Tape
Bobby Hutcherson: Solo / Quartet, Tape
€8.90
Net price (incl. 19% VAT)

Bobby Hutcherson
Solo / Quartet

  • Compact Cassette
  • United States
  • Original Jazz Classics
  • (OJC-5425)
  • Contemporary Records
  • (S-14009)
  • 7 Tracks
  • UPC 025218642545
  • M / M
  • virgin
  • sealed

tracks

Solo

A1

Gotcha

Other
  • Bobby Hutcherson
Bells
  • Bobby Hutcherson
Xylophone
  • Bobby Hutcherson
Chimes
  • Bobby Hutcherson
Marimba
  • Bobby Hutcherson
Vibraphone
  • Bobby Hutcherson
Composed By
  • Bobby Hutcherson
A2

For You, Mom And Dad

Other
  • Bobby Hutcherson
Bells
  • Bobby Hutcherson
Xylophone
  • Bobby Hutcherson
Chimes
  • Bobby Hutcherson
Marimba
  • Bobby Hutcherson
Vibraphone
  • Bobby Hutcherson
Composed By
  • Bobby Hutcherson
A3

The Ice Cream Man

Other
  • Bobby Hutcherson
Bells
  • Bobby Hutcherson
  • John Koenig
Xylophone
  • Bobby Hutcherson
Chimes
  • Bobby Hutcherson
Marimba
  • Bobby Hutcherson
Vibraphone
  • Bobby Hutcherson
Composed By
  • Bobby Hutcherson

Quartet

B1

La Alhambra

Vibraphone
  • Bobby Hutcherson
Piano
  • McCoy Tyner
Drums
  • Billy Higgins
Composed By
  • Bobby Hutcherson
Bass
  • Herbie Lewis
B2

Old Devil Moon

Written By
Vibraphone
  • Bobby Hutcherson
Piano
  • McCoy Tyner
Drums
  • Billy Higgins
Bass
  • Herbie Lewis
B3

My Foolish Heart

Written By
Vibraphone
  • Bobby Hutcherson
Piano
  • McCoy Tyner
Drums
  • Billy Higgins
Bass
  • Herbie Lewis
B4

Messina

Vibraphone
  • Bobby Hutcherson
Piano
  • McCoy Tyner
Drums
  • Billy Higgins
Composed By
  • Bobby Hutcherson
Bass
  • Herbie Lewis

Related

Various: Mobilisation Générale
€23.90
Various
Mobilisation Générale
Brigitte Fontaine
The Art Ensemble Of Chicago
François Tusques
Alfred Panou
Areski Belkacem
und 11 weitere ...
2×LP (Vinyl)
1968. France, Incorporated. The entire building was being consumed by flames and was slowly collapsing. Nothing would survive. Out of the rubble of the old world jumped the children of Marx and Coca-Cola, ripping the white and blue stripes off the French flag. Yet, the socialist revolution was more mythic than real and music did nothing to mitigate people's behavior. It was time for innovation. While singles from the Stones, Who, Kinks and MC5 provided an incendiary soundtrack for the revolution, it was Black Americans who truly blew the world from its foundations in the 60s. Ornette Coleman, Cecil Taylor, Eric Dolphy, Albert Ayler and Archie Shepp left behind the jazz of their fathers' generation, liberating the notes, trashing the structures, diving headfirst into furious improvisations, inventing a new land without boundaries – neither spiritual nor political. Free jazz endowed the saxophone with the power to destroy the established order. In 1969, the Art Ensemble of Chicago arrived at the Théâtre du Vieux Colombier in Paris and a new fuse was lit. Their multi-instrumentalism made use of a varied multiplicity of "little instruments" (including bicycle bells, wind chimes, steel drums, vibraphone and djembe: they left no stone unturned), which they employed according to their inspirations.