Art Pepper: No Limit, Tape
Art Pepper: No Limit, Tape
€8.90
Net price (incl. 19% VAT)

Art Pepper
No Limit

  • Compact Cassette
  • United States
  • Original Jazz Classics
  • (OJC-5411)
  • Contemporary Records
  • (S-7639)
  • 4 Tracks
  • UPC 025218641142
  • M / M
  • virgin
  • sealed

tracks

A1

Rita-San

Composed By
  • Art Pepper
A2

Ballad Of The Sad Young Men

Composed By
  • Tommy Wolf
  • Fran Landesman
B1

My Laurie

Composed By
  • Art Pepper
B2

Mambo De La Pinta

Composed By
  • Art Pepper

Credits

Alto Saxophone
  • Art Pepper
Tenor Saxophone
  • Art Pepper
Artwork
  • Efram Wolff
Bass
  • Tony Dumas
Design
  • George Kershaw
Drums
  • Carl Burnett
Liner Notes
  • Art Pepper
Photography By
  • Laurie Pepper
Piano
  • George Cables
Producer
  • John Koenig
  • Lester Koenig

Related

Various: Mobilisation Générale
€23.90
Various
Mobilisation Générale
Brigitte Fontaine
The Art Ensemble Of Chicago
François Tusques
Alfred Panou
Areski Belkacem
und 11 weitere ...
2×LP (Vinyl)
1968. France, Incorporated. The entire building was being consumed by flames and was slowly collapsing. Nothing would survive. Out of the rubble of the old world jumped the children of Marx and Coca-Cola, ripping the white and blue stripes off the French flag. Yet, the socialist revolution was more mythic than real and music did nothing to mitigate people's behavior. It was time for innovation. While singles from the Stones, Who, Kinks and MC5 provided an incendiary soundtrack for the revolution, it was Black Americans who truly blew the world from its foundations in the 60s. Ornette Coleman, Cecil Taylor, Eric Dolphy, Albert Ayler and Archie Shepp left behind the jazz of their fathers' generation, liberating the notes, trashing the structures, diving headfirst into furious improvisations, inventing a new land without boundaries – neither spiritual nor political. Free jazz endowed the saxophone with the power to destroy the established order. In 1969, the Art Ensemble of Chicago arrived at the Théâtre du Vieux Colombier in Paris and a new fuse was lit. Their multi-instrumentalism made use of a varied multiplicity of "little instruments" (including bicycle bells, wind chimes, steel drums, vibraphone and djembe: they left no stone unturned), which they employed according to their inspirations.