Milt Jackson Quintet: 'Live' At The Village Gate, Tape
Milt Jackson Quintet: 'Live' At The Village Gate, Tape
€8.90
Net price (incl. 19% VAT)

Milt Jackson Quintet
'Live' At The Village Gate

  • Compact Cassette
  • United States
  • Original Jazz Classics
  • (OJC 5309)
  • Riverside Records
  • (RLP-9495)
  • 6 Tracks
  • Barcode 02521803094
  • M / M
  • virgin
  • sealed

tracks

A1

Bags Of Blue

Written By
A2

Little Girl Blue

Written By
A3

Gemini

Written By
B1

Gerri's Blues

Written By
B2

Time After Time

Written By
B3

Ignunt Oil

Written By

Credits

Bass
  • Bob Cranshaw
Design
  • Sam Alexander
Drums
  • Albert Heath
Engineer
  • Ray Fowler
Liner Notes
  • Ira Gitler
Photography By
  • Lee Tanner
Piano
  • Hank Jones
Producer
  • Orrin Keepnews
Remastered By
  • Phil De Lancie
Tenor Saxophone
  • Jimmy Heath
Vibraphone
  • Milt Jackson

Related

Various: Mobilisation Générale
€23.90
Various
Mobilisation Générale
Brigitte Fontaine
The Art Ensemble Of Chicago
François Tusques
Alfred Panou
Areski Belkacem
und 11 weitere ...
2×LP (Vinyl)
1968. France, Incorporated. The entire building was being consumed by flames and was slowly collapsing. Nothing would survive. Out of the rubble of the old world jumped the children of Marx and Coca-Cola, ripping the white and blue stripes off the French flag. Yet, the socialist revolution was more mythic than real and music did nothing to mitigate people's behavior. It was time for innovation. While singles from the Stones, Who, Kinks and MC5 provided an incendiary soundtrack for the revolution, it was Black Americans who truly blew the world from its foundations in the 60s. Ornette Coleman, Cecil Taylor, Eric Dolphy, Albert Ayler and Archie Shepp left behind the jazz of their fathers' generation, liberating the notes, trashing the structures, diving headfirst into furious improvisations, inventing a new land without boundaries – neither spiritual nor political. Free jazz endowed the saxophone with the power to destroy the established order. In 1969, the Art Ensemble of Chicago arrived at the Théâtre du Vieux Colombier in Paris and a new fuse was lit. Their multi-instrumentalism made use of a varied multiplicity of "little instruments" (including bicycle bells, wind chimes, steel drums, vibraphone and djembe: they left no stone unturned), which they employed according to their inspirations.