George Russell Septet: The Stratus Seekers, Tape
George Russell Septet: The Stratus Seekers, Tape
€8.90
Net price (incl. 19% VAT)

George Russell Septet
The Stratus Seekers

  • Compact Cassette
  • United States
  • Original Jazz Classics
  • (OJC-5365)
  • Riverside Records
  • (RLP-9412)
  • Riverside Records
  • (RIVERSIDE-9412)
  • 6 Tracks
  • Barcode 2521803654
  • M / M
  • virgin
  • sealed

tracks

A1

Pan-Daddy

Composed By
  • George Russell
A2

The Stratus Seekers

Composed By
  • George Russell
6:52
A3

Kige's Tune

Composed By
  • Al Kiger
B1

Blues In Orbit

Composed By
  • George Russell
B2

A Lonely Place

Composed By
  • George Russell
B3

Stereophrenic

Composed By
  • David Baker

Credits

Alto Saxophone
  • John Pierce
Artwork
  • Ken Deardoff
Bass
  • Steve Swallow
Drums
  • Joe Hunt
Engineer
  • Ray Fowler
Liner Notes
  • Joe Goldberg
Piano
  • George Russell
Producer
  • Orrin Keepnews
Remastered By
  • Phil De Lancie
Tenor Saxophone
  • Paul Plummer
Trombone
  • David Baker
Trumpet
  • Don Ellis

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2×LP (Vinyl)
1968. France, Incorporated. The entire building was being consumed by flames and was slowly collapsing. Nothing would survive. Out of the rubble of the old world jumped the children of Marx and Coca-Cola, ripping the white and blue stripes off the French flag. Yet, the socialist revolution was more mythic than real and music did nothing to mitigate people's behavior. It was time for innovation. While singles from the Stones, Who, Kinks and MC5 provided an incendiary soundtrack for the revolution, it was Black Americans who truly blew the world from its foundations in the 60s. Ornette Coleman, Cecil Taylor, Eric Dolphy, Albert Ayler and Archie Shepp left behind the jazz of their fathers' generation, liberating the notes, trashing the structures, diving headfirst into furious improvisations, inventing a new land without boundaries – neither spiritual nor political. Free jazz endowed the saxophone with the power to destroy the established order. In 1969, the Art Ensemble of Chicago arrived at the Théâtre du Vieux Colombier in Paris and a new fuse was lit. Their multi-instrumentalism made use of a varied multiplicity of "little instruments" (including bicycle bells, wind chimes, steel drums, vibraphone and djembe: they left no stone unturned), which they employed according to their inspirations.