Nina Simone: I Put A Spell On You, LP (Vinyl)
Nina Simone: I Put A Spell On You, LP (Vinyl)
€18.90
Net price (incl. 19% VAT) excl. shipping costs
Nina Simone
I Put A Spell On You
  • LP (Vinyl)
  • European Union
Neuauflage
  • Philips
  • (PHS 600-172)
  • Philips
  • (0600753605707)
  • 12 Tracks
  • EAN 0600753605707
  • heavy item (300g)
  • M / M
  • virgin
  • sealed

tracks

A1

I Put A Spell On You

Written by
Arranged by
  • Hal Mooney
2:33
A2

Tomorrow Is My Turn

Written by
Arranged by
  • Horace Ott
2:43
A3

Ne Me Quitte Pas

Written by
Arranged by
  • Hal Mooney
3:27
A4

Marriage Is For Old Folks

Written by
Arranged by
  • Hal Mooney
3:22
A5

July Tree

Written by
Arranged by
  • Hal Mooney
2:40
A6

Gimme Some

Written by
Arranged by
  • Horace Ott
2:58
B1

Feeling Good

Written by
Arranged by
  • Hal Mooney
2:52
B2

One September Day

Written by
Arranged by
  • Hal Mooney
2:47
B3

Blues On Purpose

Written by
3:18
B4

Beautiful Land

Written by
Arranged by
  • Hal Mooney
1:55
B5

You've Got To Learn

Written by
Arranged by
  • Horace Ott
2:40
B6

Take Care Of Business

Written by
Arranged by
  • Horace Ott
2:04

Credits

Liner notes
  • Roger Short
Photography by
  • Bernard Gotfryd
Producer
  • Hal Mooney

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2×LP (Vinyl)
1968. France, Incorporated. The entire building was being consumed by flames and was slowly collapsing. Nothing would survive. Out of the rubble of the old world jumped the children of Marx and Coca-Cola, ripping the white and blue stripes off the French flag. Yet, the socialist revolution was more mythic than real and music did nothing to mitigate people's behavior. It was time for innovation. While singles from the Stones, Who, Kinks and MC5 provided an incendiary soundtrack for the revolution, it was Black Americans who truly blew the world from its foundations in the 60s. Ornette Coleman, Cecil Taylor, Eric Dolphy, Albert Ayler and Archie Shepp left behind the jazz of their fathers' generation, liberating the notes, trashing the structures, diving headfirst into furious improvisations, inventing a new land without boundaries – neither spiritual nor political. Free jazz endowed the saxophone with the power to destroy the established order. In 1969, the Art Ensemble of Chicago arrived at the Théâtre du Vieux Colombier in Paris and a new fuse was lit. Their multi-instrumentalism made use of a varied multiplicity of "little instruments" (including bicycle bells, wind chimes, steel drums, vibraphone and djembe: they left no stone unturned), which they employed according to their inspirations.