Nasty: Realigion, 12" Maxi Single (Vinyl)
Nasty: Realigion, 12" Maxi Single (Vinyl)
Nasty: Realigion, 12" Maxi Single (Vinyl)
€17.90
Net price (not subject to VAT §25a UStG)

Nasty
Realigion

  • 12" Maxi Single (Vinyl)
  • Germany
clear/gold marble vinyl, includes printed inner sleeve and poster
  • Beatdown Hardwear Rec.
  • (BDHW068)
  • 13 Tracks
  • EAN 4260277516819
  • EX / EX
  • used
  • minor shelf wear on sleeve, crease on poster, download code might have been used

tracks

A1

F.Y.W.

1:24
A2

Rock Bottom

1:25
A3

At War With Love

3:34
A4

Drty Fngrz II

2:09
A5

Forgiveness

1:59
A6

Realigion

Featuring
  • JJ Peters
2:29
A7

At Night

2:18
B1

Interlude

0:49
B2

Prediction

3:53
B3

Welle

Featuring
  • Samis Reduction
2:18
B4

In Defeat

Featuring
  • Alex Taylor
  • Konan Hall
2:03
B5

Outro

2:36
B6

Babylon

Featuring
  • Makoto
1:14

Credits

Mixed By
  • Aljoscha Sieg
Mastered By
  • Aljoscha Sieg
Recorded By
  • Marc Görtz

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The real, great rock 'n' roll swindle? Don't look for it in the Pistols, well, in Mac Laren' movie The Great Rock 'n' Roll Swindle... you'd better search Belgium, and more specifically somewhere near Lou Deprijck and Yvan Lacomblez, two born-and-bred “Brusselians[1] ”. If their names don't ring a bell at first glance, you've most likely already wiggled to the interplanetary hit which brought them fortune (in every way): “Ça plane pour moi”! Oh yeah, France already had Antoine's “Élucubrations”, a mildly transgressive hit in its own way... and an unprecedented landslide in Gallic memory. But this time, another category was tackled! “Ca plane pour moi”? A moronic song by a crappy singer... The prank swept through the world and within a few months, no less than one million 45s were sold just in France. And the incredible part is that it was to spawn a mass-produced bunch of cover versions, finally becoming – how ironic – a universal punk anthem: think what you will, it IS the hold-up of the century! Of course, such a cash cow would arouse envy and create quite a few vocations among our fellow countrymen. The song's trademark derision was finally about to bridge the missing link between original punk – too violent, too dirty – and the general public eager to enjoy a little Saturday-night pogo.