Weldon Irvine: Liberated Brother, LP (Vinyl)
Weldon Irvine: Liberated Brother, LP (Vinyl)
€18.90
Net price (incl. 19% VAT) excl. shipping costs
Weldon Irvine
Liberated Brother
  • LP (Vinyl)
  • United States
reissue of 1972 Soul-Jazz album
  • Nodlew Music
  • (1001)
  • 8 Tracks
  • UPC 725543389619
  • M / M
  • virgin

tracks

A1

Liberated Brother

6:25
A2

Here's Where I Came In

6:35
A3

Blues Wel-Don

8:25
B1

Mr. Clean

5:25
B2

Gloria

4:00
B3

Homey

4:30
B4

Juggah Buggah

4:35
B5

Sister Sanctified

3:15

Credits

Bass
  • Roland Wilson
Coordinator
  • Bob Townsend
Design
  • Keith Collins
Drums
  • Chipper Lyles
  • Napoleon Revels
Electric guitar
  • Tommy Smith
Engineer
  • George Klabin
Flugelhorn
  • Preston Williams
Melodica
  • Weldon Irvine
Percussion
  • Chipper Lyles
  • Napoleon Revels
Photography by
  • Darnell Mitchell
Piano
  • Weldon Irvine
Electric piano
  • Weldon Irvine
Producer
  • Weldon Irvine
Synthesizer
  • Weldon Irvine
Tenor saxophone
  • James Stroud
Written by

Related

Various: Mobilisation Générale
€23.90
Various
Mobilisation Générale
Brigitte Fontaine
The Art Ensemble Of Chicago
François Tusques
Alfred Panou
Areski Belkacem
und 11 weitere ...
2×LP (Vinyl)
1968. France, Incorporated. The entire building was being consumed by flames and was slowly collapsing. Nothing would survive. Out of the rubble of the old world jumped the children of Marx and Coca-Cola, ripping the white and blue stripes off the French flag. Yet, the socialist revolution was more mythic than real and music did nothing to mitigate people's behavior. It was time for innovation. While singles from the Stones, Who, Kinks and MC5 provided an incendiary soundtrack for the revolution, it was Black Americans who truly blew the world from its foundations in the 60s. Ornette Coleman, Cecil Taylor, Eric Dolphy, Albert Ayler and Archie Shepp left behind the jazz of their fathers' generation, liberating the notes, trashing the structures, diving headfirst into furious improvisations, inventing a new land without boundaries – neither spiritual nor political. Free jazz endowed the saxophone with the power to destroy the established order. In 1969, the Art Ensemble of Chicago arrived at the Théâtre du Vieux Colombier in Paris and a new fuse was lit. Their multi-instrumentalism made use of a varied multiplicity of "little instruments" (including bicycle bells, wind chimes, steel drums, vibraphone and djembe: they left no stone unturned), which they employed according to their inspirations.