Maceo Parker: Roots & Grooves, 2×CD
Maceo Parker: Roots & Grooves, 2×CD
€8.90
Net price (not subject to VAT §25a UStG) excl. shipping costs
Maceo Parker
Roots & Grooves
  • 2×CD
  • Germany
  • Intuition Records
  • (INT 3413 2)
  • 14 Tracks
  • UPC 750447341326
  • EX / EX
  • used

tracks

CD 1: Tribute To Ray Charles

1-1

Hallelujah I Love Her So

Alto saxophone
  • Ray Charles
Organ
  • Frank Chastenier
Written by
6:38
1-2

Busted

Guitar
  • Paul Shigihara
Vocals
  • Ray Charles
Written by
3:54
1-3

Them That's Got

Alto saxophone
  • Heiner Wiberny
  • Ray Charles
Trumpet
  • John Marshall
Written by
6:12
1-4

You Don't Know Me

Vocals
  • Ray Charles
Alto saxophone
  • Ray Charles
Written by
6:24
1-5

Hit The Road Jack

Tenor saxophone
  • Paul Heller
Vocals
  • Ray Charles
Written by
5:09
1-6

Margie

Trumpet
  • Klaus Osterloh
Vocals
  • Ray Charles
Alto saxophone
  • Ray Charles
Written by
6:02
1-7

Georgia On My Mind

Electric piano
  • Frank Chastenier
Vocals
  • Ray Charles
Written by
6:17
1-8

What I'd Say

Tenor saxophone
  • Olivier Peters
Trombone
  • Bernt Laukamp
Vocals
  • Ray Charles
Alto saxophone
  • Ray Charles
Written by
9:34

CD 2: Back To Funk

2-1

Uptown Up

Alto saxophone
  • Maceo Parker
Electronic wind instrument
  • Olivier Peters
Trumpet
  • Andy Haderer
Written by
5:58
2-2

To Be Or Not To Be

Alto saxophone
  • Karolina Strassmayer
  • Maceo Parker
Vocals
  • Maceo Parker
Written by
6:23
2-3

Off The Hook

Alto saxophone
  • Maceo Parker
Bass
  • Rodney Curtis
Written by
8:02
2-4

Advanced Funk

Alto saxophone
  • Maceo Parker
Organ
  • Frank Chastenier
Trumpet
  • John Marshall
Written by
7:11
2-5

Shake Everything You Got

Vocals
  • Maceo Parker
Alto saxophone
  • Maceo Parker
Written by
7:08
2-6

Pass The Peas

Alto saxophone
  • Maceo Parker
Vocals
  • Maceo Parker
Drums
  • Dennis Chambers
Electronic wind instrument
  • Olivier Peters
Guitar
  • Paul Shigihara
Organ
  • Frank Chastenier
Tenor saxophone
  • Paul Heller
Written by
17:48

Credits

A r
  • Andreas Schaffer
Acoustic bass
  • John Goldsby
Arranged by
  • David Horler
  • Michael Abene
Bass
  • Rodney Curtis
Conductor
  • Michael Abene
Coordinator
  • Annette Hauber
Design
  • Knut Schötteldreier
Drums
  • Dennis Chambers
  • Hans Dekker
Electric guitar
  • Paul Shigihara
Engineer
  • Reinhold Nickel
Mastered by
  • Marko Schneider
Mixed by
  • Klaus Genuit
Organ
  • Frank Chastenier
Piano
  • Frank Chastenier
Clavinet
  • Frank Chastenier
Photography by
  • Ines Kaiser
  • Paul Shigihara
Producer
  • Joachim Becker
  • Lucas Schmid
Saxophone
  • Heiner Wiberny
  • Karolina Strassmayer
  • Marcus Barthelt
  • Olivier Peters
  • Paul Heller
  • Maceo Parker
Vocals
  • Maceo Parker
Trombone
  • Bernt Laukamp
  • David Horler
  • Ludwig Nuß
  • Mattis Cederberg
Trumpet
  • Andy Haderer
  • John Marshall
  • Klaus Osterloh
  • Rob Bruynen
  • Wim Both

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2×LP (Vinyl)
1968. France, Incorporated. The entire building was being consumed by flames and was slowly collapsing. Nothing would survive. Out of the rubble of the old world jumped the children of Marx and Coca-Cola, ripping the white and blue stripes off the French flag. Yet, the socialist revolution was more mythic than real and music did nothing to mitigate people's behavior. It was time for innovation. While singles from the Stones, Who, Kinks and MC5 provided an incendiary soundtrack for the revolution, it was Black Americans who truly blew the world from its foundations in the 60s. Ornette Coleman, Cecil Taylor, Eric Dolphy, Albert Ayler and Archie Shepp left behind the jazz of their fathers' generation, liberating the notes, trashing the structures, diving headfirst into furious improvisations, inventing a new land without boundaries – neither spiritual nor political. Free jazz endowed the saxophone with the power to destroy the established order. In 1969, the Art Ensemble of Chicago arrived at the Théâtre du Vieux Colombier in Paris and a new fuse was lit. Their multi-instrumentalism made use of a varied multiplicity of "little instruments" (including bicycle bells, wind chimes, steel drums, vibraphone and djembe: they left no stone unturned), which they employed according to their inspirations.