McCoy Tyner Big Band: Uptown/Downtown, Tape
McCoy Tyner Big Band: Uptown/Downtown, Tape
€8.90
Net price (incl. 19% VAT) excl. shipping costs
McCoy Tyner Big Band
Uptown/Downtown
  • Compact Cassette
  • United States
  • Milestone (4)
  • (5M-9167)
  • 6 Tracks
  • UPC 025218916745
  • M- / M-
  • virgin
  • sealed

tracks

A1

Love Surrounds Us

A2

Three Flowers

A3

Genesis

B1

Uptown

B2

Lotus Flower

B3

Blues For Basie

Credits

Alto saxophone
  • Doug Harris
  • Joe Ford
Bass
  • Avery Sharpe
Drums
  • Louis Hayes
French horn
  • John Clark
Percussion
  • Steve Thornton
Piano
  • McCoy Tyner
Tenor saxophone
  • Junior Cook
  • Ricky Ford
Trombone
  • Robin Eubanks
  • Steve Turre
Trumpet
  • Earl Gardner
  • Kamau Adilifu
  • Virgil Jones
Tuba
  • Howard Johnson

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2×LP (Vinyl)
1968. France, Incorporated. The entire building was being consumed by flames and was slowly collapsing. Nothing would survive. Out of the rubble of the old world jumped the children of Marx and Coca-Cola, ripping the white and blue stripes off the French flag. Yet, the socialist revolution was more mythic than real and music did nothing to mitigate people's behavior. It was time for innovation. While singles from the Stones, Who, Kinks and MC5 provided an incendiary soundtrack for the revolution, it was Black Americans who truly blew the world from its foundations in the 60s. Ornette Coleman, Cecil Taylor, Eric Dolphy, Albert Ayler and Archie Shepp left behind the jazz of their fathers' generation, liberating the notes, trashing the structures, diving headfirst into furious improvisations, inventing a new land without boundaries – neither spiritual nor political. Free jazz endowed the saxophone with the power to destroy the established order. In 1969, the Art Ensemble of Chicago arrived at the Théâtre du Vieux Colombier in Paris and a new fuse was lit. Their multi-instrumentalism made use of a varied multiplicity of "little instruments" (including bicycle bells, wind chimes, steel drums, vibraphone and djembe: they left no stone unturned), which they employed according to their inspirations.