Cedar Walton: Plays Cedar Walton - The Prestige Collection, Tape
Cedar Walton: Plays Cedar Walton - The Prestige Collection, Tape
€14.90
Net price (incl. 19% VAT) excl. shipping costs
Cedar Walton
Plays Cedar Walton - The Prestige Collection
  • Compact Cassette
  • United States
  • Original Jazz Classics
  • (OJC-56002)
  • Prestige
  • (OJC-56002)
  • 8 Tracks
  • Barcode 2521860024
  • M- / M-
  • virgin
  • sealed

tracks

A1

Short Stuff

Bass
  • Leroy Vinnegar
Drums
  • Billy Higgins
Trumpet
  • Kenny Dorham
6:22
A2

Head And Shoulders

Bass
  • Leroy Vinnegar
Drums
  • Billy Higgins
Tenor saxophone
  • Junior Cook
Trumpet
  • Kenny Dorham
4:12
A3

Twilight Waltz

Bass
  • Leroy Vinnegar
Drums
  • Billy Higgins
Trumpet
  • Kenny Dorham
4:18
A4

Higgins Holler

Bass
  • Richard Davis
Drums
  • Jack DeJohnette
Tenor saxophone
  • Clifford Jordan
Trumpet
  • Blue Mitchell
10:20
B1

Jake's Milkshakes

Bass
  • Richard Davis
Drums
  • Jack DeJohnette
Tenor saxophone
  • Clifford Jordan
Trumpet
  • Blue Mitchell
3:55
B2

Spectrum

Bass
  • Richard Davis
Drums
  • Jack DeJohnette
Tenor saxophone
  • Clifford Jordan
Trumpet
  • Blue Mitchell
5:41
B3

Sabbatical

Bass
  • Bob Cranshaw
Drums
  • Mickey Roker
Flute
  • Clifford Jordan
Trumpet
  • Blue Mitchell
8:13
B4

Ugetsu

Bass
  • Bob Cranshaw
Drums
  • Mickey Roker
5:03

Credits

Art direction
  • Phil Carroll
Compilation producer
  • Bob Porter
Engineer
  • David Jones
  • Richard Alderson
Mastered by
  • Phil De Lancie
Photography by
  • Ray Avery
Piano
  • Cedar Walton
Composed by
  • Cedar Walton
Producer
  • Don Schlitten

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2×LP (Vinyl)
1968. France, Incorporated. The entire building was being consumed by flames and was slowly collapsing. Nothing would survive. Out of the rubble of the old world jumped the children of Marx and Coca-Cola, ripping the white and blue stripes off the French flag. Yet, the socialist revolution was more mythic than real and music did nothing to mitigate people's behavior. It was time for innovation. While singles from the Stones, Who, Kinks and MC5 provided an incendiary soundtrack for the revolution, it was Black Americans who truly blew the world from its foundations in the 60s. Ornette Coleman, Cecil Taylor, Eric Dolphy, Albert Ayler and Archie Shepp left behind the jazz of their fathers' generation, liberating the notes, trashing the structures, diving headfirst into furious improvisations, inventing a new land without boundaries – neither spiritual nor political. Free jazz endowed the saxophone with the power to destroy the established order. In 1969, the Art Ensemble of Chicago arrived at the Théâtre du Vieux Colombier in Paris and a new fuse was lit. Their multi-instrumentalism made use of a varied multiplicity of "little instruments" (including bicycle bells, wind chimes, steel drums, vibraphone and djembe: they left no stone unturned), which they employed according to their inspirations.