Arnett Cobb: Smooth Sailing, Tape
Arnett Cobb: Smooth Sailing, Tape
€8.90
Net price (incl. 19% VAT)

Arnett Cobb
Smooth Sailing

  • Compact Cassette
  • United States
  • Original Jazz Classics
  • (OJC-5323)
  • Prestige
  • (P-7184)
  • 7 Tracks
  • Barcode 2521853234
  • M / M
  • virgin
  • sealed

tracks

A1

Charmaine

A2

Cobb's Mob

A3

I Don't Stand A Ghost Of A Chance

A4

Let's Split

B1

Blues Around Dusk

B2

Smooth Sailing

B3

(I'm Left With The) Blues In My Heart

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2×LP (Vinyl)
1968. France, Incorporated. The entire building was being consumed by flames and was slowly collapsing. Nothing would survive. Out of the rubble of the old world jumped the children of Marx and Coca-Cola, ripping the white and blue stripes off the French flag. Yet, the socialist revolution was more mythic than real and music did nothing to mitigate people's behavior. It was time for innovation. While singles from the Stones, Who, Kinks and MC5 provided an incendiary soundtrack for the revolution, it was Black Americans who truly blew the world from its foundations in the 60s. Ornette Coleman, Cecil Taylor, Eric Dolphy, Albert Ayler and Archie Shepp left behind the jazz of their fathers' generation, liberating the notes, trashing the structures, diving headfirst into furious improvisations, inventing a new land without boundaries – neither spiritual nor political. Free jazz endowed the saxophone with the power to destroy the established order. In 1969, the Art Ensemble of Chicago arrived at the Théâtre du Vieux Colombier in Paris and a new fuse was lit. Their multi-instrumentalism made use of a varied multiplicity of "little instruments" (including bicycle bells, wind chimes, steel drums, vibraphone and djembe: they left no stone unturned), which they employed according to their inspirations.