Bill Evans: Blue In Green - The Concert In Canada, Tape
Bill Evans: Blue In Green - The Concert In Canada, Tape
€11.90
Net price (incl. 19% VAT)

Bill Evans
Blue In Green - The Concert In Canada

  • Compact Cassette
  • United States
  • Milestone (4)
  • (5M 9185)
  • 9 Tracks
  • UPC 025218918541
  • M- / M-
  • virgin
  • sealed

tracks

A1

One For Helen

6:13
A2

The Two Lonely People

7:03
A3

What Are You Doing For The Rest Of Your Life

4:38
A4

So What

6:47
B1

Very Early

5:32
B2

If You Could See Me Now

3:53
B3

34 Skidoo

7:33
B4

Blue In Green

3:40
B5

T.T.T.-Twelve Tone Tune

5:29

Credits

Art Direction
  • Phil Carroll
Bass
  • Eddie Gomez
Cover
  • Antonio Benedetto
Design
  • Bernie Kaffel
  • Phil Carroll
Drums
  • Marty Morell
Engineer
  • Paul LaCroix
Liner Notes
  • Peter Shaw
Mastered By
  • George Horn
Piano
  • Bill Evans
Producer
  • Peter Shaw
Remix
  • David Luke
  • Michael Semanick

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2×LP (Vinyl)
1968. France, Incorporated. The entire building was being consumed by flames and was slowly collapsing. Nothing would survive. Out of the rubble of the old world jumped the children of Marx and Coca-Cola, ripping the white and blue stripes off the French flag. Yet, the socialist revolution was more mythic than real and music did nothing to mitigate people's behavior. It was time for innovation. While singles from the Stones, Who, Kinks and MC5 provided an incendiary soundtrack for the revolution, it was Black Americans who truly blew the world from its foundations in the 60s. Ornette Coleman, Cecil Taylor, Eric Dolphy, Albert Ayler and Archie Shepp left behind the jazz of their fathers' generation, liberating the notes, trashing the structures, diving headfirst into furious improvisations, inventing a new land without boundaries – neither spiritual nor political. Free jazz endowed the saxophone with the power to destroy the established order. In 1969, the Art Ensemble of Chicago arrived at the Théâtre du Vieux Colombier in Paris and a new fuse was lit. Their multi-instrumentalism made use of a varied multiplicity of "little instruments" (including bicycle bells, wind chimes, steel drums, vibraphone and djembe: they left no stone unturned), which they employed according to their inspirations.