John Abercrombie: Tactics, CD
John Abercrombie: Tactics, CD
€14.90
Net price (not subject to VAT §25a UStG)

John Abercrombie
Dan Wall
Adam Nussbaum
Tactics

  • CD
  • Germany
  • ECM Records
  • (ECM 1623)
  • ECM Records
  • (533 680-2)
  • 8 Tracks
  • UPC 731453368026
  • EX / EX+
  • used
  • minor surface marks on CD

tracks

1

Sweet Sixteen

Composed By
  • John Abercrombie
11:21
2

Last Waltz

Composed By
  • John Abercrombie
11:14
3

Bo Diddy

Composed By
  • Dan Wall
11:43
4

You And The Night And The Music

Composed By
  • Schwartz & Dietz
10:15
5

Chumbida

Composed By
  • Adam Nussbaum
5:46
6

Dear Rain

Composed By
  • John Abercrombie
7:38
7

Mr. Magoo

Composed By
  • Dan Wall
8:44
8

Long Ago And Far Away

Composed By
  • Jerome Kern
9:42

Credits

Cover
  • Mayo Bucher
Drums
  • Adam Nussbaum
Engineer
  • David Baker
  • Bob Ward
  • Katsuhiko Naito
Guitar
  • John Abercrombie
Layout
  • Michael Götte
Organ
  • Dan Wall
Photography By
  • Allan Titmuss

Related

Various: Mobilisation Générale
€23.90
Various
Mobilisation Générale
Brigitte Fontaine
The Art Ensemble Of Chicago
François Tusques
Alfred Panou
Areski Belkacem
und 11 weitere ...
2×LP (Vinyl)
1968. France, Incorporated. The entire building was being consumed by flames and was slowly collapsing. Nothing would survive. Out of the rubble of the old world jumped the children of Marx and Coca-Cola, ripping the white and blue stripes off the French flag. Yet, the socialist revolution was more mythic than real and music did nothing to mitigate people's behavior. It was time for innovation. While singles from the Stones, Who, Kinks and MC5 provided an incendiary soundtrack for the revolution, it was Black Americans who truly blew the world from its foundations in the 60s. Ornette Coleman, Cecil Taylor, Eric Dolphy, Albert Ayler and Archie Shepp left behind the jazz of their fathers' generation, liberating the notes, trashing the structures, diving headfirst into furious improvisations, inventing a new land without boundaries – neither spiritual nor political. Free jazz endowed the saxophone with the power to destroy the established order. In 1969, the Art Ensemble of Chicago arrived at the Théâtre du Vieux Colombier in Paris and a new fuse was lit. Their multi-instrumentalism made use of a varied multiplicity of "little instruments" (including bicycle bells, wind chimes, steel drums, vibraphone and djembe: they left no stone unturned), which they employed according to their inspirations.