Seeed: Next!, 2×LP (Vinyl)
Seeed: Next!, 2×LP (Vinyl)
€23.90
Net price (incl. 19% VAT)

Seeed
Next!

  • 2×LP (Vinyl)
  • Germany
  • Downbeat (3)
  • (5051011-0999-1-5)
  • 14 Tracks
  • EAN 5051011099915
  • M / M
  • virgin

tracks

A1

Schwinger

3:20
A2

Next ... !!

3:07
A3

Aufstehn !

Featuring
  • Cee-Lo
3:50
B1

Stand Up

2:38
B2

Tight Pants

3:06
B3

Please

Featuring
  • Lady Saw
3:36
B4

Ocean's 11

2:53
C1

Can't Hold Me

2:39
C2

Goosebumps

2:52
C3

Slowlife

4:18
C4

Light The Sun

3:01
D1

Ding

3:26
D2

She Got Me Twisted

3:11
D3

End Of Days

Featuring
  • Maya Dela Gwada
3:38

Credits

Artwork
  • Jaybo4MONK
Co Producer
  • Based
  • Dirk Berger
  • Dubmaster Reibold
  • Illvibe
  • Olsen Involtini
  • Pierre Baigorry
  • Seeed
Mastered By
  • Chris Athens
  • Tom Meyer
Producer
  • Based
  • Charles Matuschewski
  • Demba Nabé
  • Dubmaster Reibold
  • Eased
  • Illvibe
  • Ingo Rheinbay
  • Monk
  • Pierre Baigorry
  • Rudebwoy
  • Tobsen Cordes
  • Transporterraum

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Akwassa: In The Groove
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Akwassa
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reissue of 1977 Nigerian Funk/Afrobeat album: Nigeria has been one of these African countries with a rich western oriented music scene spawning some highly praised garage rock acts like OFEGE and some hot blooded steaming funk acts. One of these groups taking a turn on music that was happening a few thousand miles west in the USA about five or six years prior was AKWASSA and here we gotta listen to their second album “In the groove” and the title actually says it all. They play some funky music that would make James Brown (God rest his soul) or Betty Davis (Miles Davis' beautiful and highly gifted wife) go crazy for and they do it with a routine you would rather expect with American superstars. AKWASSA impress with a tight as a teenie's ass rhythm section grooving some hypnotizing beats that consist of wild percussions and an airy drumming tied together by some captivating bass lines. Upon this rhythmical basement you find a grinding organ scrubbing your senses and a clean wah wah driven guitar that erupts into fuzzed out solos from time to time. The mid ranged voice comes with a rich tone and nobody would question me if I'd tell him this was a US act. Well, okay, there is a little accent but at least his English is grammatically perfect. In the end it does not matter much for the voice is one instrument that adds a patch of color to the whole picture. How great to know this Afro Funk classic from the 70s can now be enjoyed by a young audience with an open mind. Old school funksters, take your chance, this is sheer bliss.